What is the Beginner’s Mind?

The beginner is blissfully unaware of the pitfalls of this form or that; and so their mind does not stop and they move in a natural way. Unfortunately this beginner’s mind slips from our grasp no matter how much we try to hold on to it and may take years of diligent practice achieve, and for many it is never achieved again.

This could be why many people flitter from one thing to another; at first enthralled by their own extraordinary ability and then blaming one teacher after another for its loss.

When one practices discipline and moves from the beginner’s territory to immovable wisdom, one makes a return and falls back to the level of the beginner. -Takuan Soho

When you study an art, be it martial or otherwise, you are taught diverse ways to move and act; how to hold the sword, racket, bat, or paint brush, and where to put your mind and therefore it stops in many places. Then when you move you are extraordinarily discomforted. After many months and years of training and practice one’s posture or the clinical manner of holding this or that do not weigh heavily on your mind and the mind no longer stops and becomes as it was at the beginning; when you knew nothing and had yet to be taught.

The beginning therefore is the same as the end and is also known as the state of No-Thought-No-Mind. More on that on another day.

Again, we can speak with reference to your own martial art. As the beginner knows nothing about either his body posture or the positioning of his sword, neither does his mind stop anywhere within him. If a man strikes at him with the sword, he simply meets the attack without anything in mind. -Takuan Soho

The mind does not stop he simply meets the attack without anything in mind

“B” is for the Beginner’s Mind

A is for “A Fettered Mind”

Hiroshima Dome:

We’re all fettered by something, not least of which is our biological “gilded cage”.

Anyone who has had more than a passing interest in either the martial arts or zen would recognise that “A Fettered Mind” stems from Takuan Soho’s book The Unfettered Mind – Writings of the Zen Master to the Sword Master. But things for me are always more organic than just lifting a title from someone else’s imagination.

It was somewhere in the 2000’s that my writing focused switched from technical articles, mostly related to Spatial Science (my day job) and the martial arts experience particularly Aikido and Ki, towards more creative writing. My grandfather was an officer in the Second Australian Infantry Forces and served in a non-combat role in Europe,ack home in Australia, and later in East Asia. My mother was born after he enlisted but by the time the war had ended five years later he had not been home to see her. Rather than return home to his family though he chose to volunteer for the British Commonwealth Occupational Force (BCOF) in Japan. Most of this I discovered shortly after his death.

Why would a man I knew to be good and kind abandon his family?

It was a question I had failed to answer through research so I decided that I would literally solve it myself. At first this project wa entitled “Tex” the name he was known by, having been born in the small town of Texas, Queensland, Australia. Late one evening while researching the novel Takuan’s “The Unfetered Mind” fell onto my writing desk from the bookshelf.

“Now that is one saying I can’t use to describe you Tex,” I said into the darkness.

I browsed straight to my project and entitled it “A Fettered Mind”.

A is for “A Fettered Mind”

I have uploaded the short story Hanami, which is based on my grandfather Tex’s service with he peace keeping forces in Japan.

Only describe the extraordinary

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Over the New Year I read a paragraph of Haruki Murakami‘s new novel 1Q84 (pg. 189 HB) and found a wonderful insight to improve my descriptive writing.

An older editor, Komatsu, gave a younger writer some advice on a piece of fiction he was we-writing:

“When you introduce things that readers have never seen before into a piece of fiction, you have to describe them with as much precision and in as much detail as possible. What you eliminate from fiction is the description of things that most readers have seen.”

There is nothing more sure to stop a person reading than if you describe an ordinary scene in a clinical manner. If it is just a room, call it that; a room, and leave the reader to fill in the blanks. But if the room is imperative to the story then describe it through the eyes and tilted perception of the mind of your narrator or character.

I’d love to read a literal translation of Marakami’s original dialogue for his character Kamatsu. Please comment if you find it?

What value, an athiest prayer

I’ve witnessed some Atheists get quite flustered and occasionally angered when other people pray for them. Although I tarried in this mindset for a short period I now value the act of prayer and meditation. It is a conscious act to extend positive energy to another being or set of beings.

I don’t believe in an interventionist God. But I know darling that you do – Nick Cave (Into my arms)

This is as good a place to start to describe my viewpoint on prayer. We are not products of the environment we exist in but we are influenced in many ways by it. I grew up in a staunchly Catholic family and school system but I was encouraged not to limit my viewpoint to those taught by religious leaders, or held by the society of the time. The most profound influence however was reading The Varieties of Scientific Experience: A Personal View of the Search for God (2006) by Dr Carl Sagan based on his Gifford Lecture under the theme The Search For Who We Are.

Dr Carl Sagan is known to have said that there is no scientific evidence that God exists but he also acknowledged that neither has evidence that God doesn’t exist been provided.

In over twenty years of training in the martial arts, specifically Aikido, the most valuable notion I have discovered is the untapped power of the sentient mind.

In general terms, how often have you felt your mind disturbed and looked up to see someone watching you. Just as in combat when we sense an opponent’s attack before they physically move, so can we sense another sentient mind’s attention on our mind.

The sentient mind is a powerful instrument and should not be underestimated

 It is the act of prayer or meditation that adds value, not the actor’s faith in some hirsute gentleman or any other vision of a divine entity. So I encourage all sentient beings especially Atheists to practice the art of prayer or meditation.

How long is now?

 

Once again I’m drawn to the question of “How long is now?”

Now is a moment, each of them stacked in my memory; their weight affects me either as an anchor – holding me stable, or others with a kinetic energy that keeps me moving towards a goal or destiny.

Each moment of intersection between time and place that passes is gone forever and only exists because we have our memory.

Without memory there is only now.

What about some lesser animals that live predominately by instinct. They would have less put away – just enough to help them survive until the next breeding cycle, or long enough to nurture their offspring to maturity or independence – never looking further forward than their next meal; their next breath; their next heartbeat; their next thought.

Watching simple creatures like this would be f-ing boring so imagine its excitement when it discovers creatures who plan, and learn, and care about their role in the place they inhabit? It would try to help them, let them know it is here, that it exists.