May 28, 2015 by A Fettered Mind

Why do we yearn to create stories?

We are story animals.

It’s scribbled somewhere in the spirals of our DNA. Some trait we evolved—I think we forced ourselves to encode it there, to learn, to yearn to share. It is like a sound that we feel, but it cannot escapes except through new stories we must create. For me it happens when I learn something, when I actually come to understand a concept. Something passes from teacher or writer to me, and that sound begins to build there at the back of my head trying to escape…no not escape and leave me, but to seek out another mind to cross to. I have received some token, some spark—It is my responsibility to push it forward to new minds so it doesn’t wither and die like my biological form must do.

Of course, not all stories have a creature like this hiding in their narrative, but some do, sometimes the simplest ones.

And writing—unlike storytelling from memory like a Shaman from our deep past relied upon—allows these ideas to lie dormant…waiting. Not for one lifespan, or even ten lifespans, they have the opportunity to endure.

May 2, 2012 by A Fettered Mind

A message to me to yourself…

One of my lecturers at University was actually a popular writer in the Romance genre, under another name. He was a grammar nazi of the eleventh order but such a good orator that I could have listened to him talk about paint drying without drifting off…too much.

His pet peeve, which I have been unable to let go of myself is:

the misuse of the reflexive pronouns such as “myself” and “yourself”

How often have you said or heard:

“I will send this to yourself.”

…WTF. It’s like the speaker is trying to over formalise their language just ostracise the potentially uneducated.

Just say “I will send this to you.”

What was one of the major points behind Orwell’s famous essay “Politics and the English Language,” in 1946 :

“It [the English language] becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts.” – George Orwell

My lecturer strode halfway up the stairs in the theater between where we sat in our uncomfortable plastic chairs, turned around and said,

“If you remember one thing from this course it has to be that self pronouns like yourself, myself, herself, himself…urgh,” he grimaced, “should not be used when they…do…not…refer…to the subject of the sentence.

Thanks Glen, mate…and no I haven’t forgotten! But I have held my tongue sometimes when I probably should not have!

Y is for Yourself

May 2, 2012 by A Fettered Mind

Where does Nationalism end and Xenophobia begin?

Theorists are divided on whether nationalism is a result of our evolutionary tendency to live in communities or tribes, or it is a more recent behaviour caused by the way modern society is structured. Either way ethnicity tends to incorporate itself in some manner, whereby you may live in the nation from a geographically extent but are excluded from “nationhood” as a result of ethnic, cultural, religious reasons.

Then there is xenophobia. Dictionary.com defines this as:

“an unreasonable fear or hatred of foreigners or strangers or of that which is foreign or strange.”

This human trait manifests itself in sport too. Sometimes this is acceptable for example a cross town rivalry between teams, or old nation “friendly” competitions between nations such as cricket’s “Ashes” battles between England and Australia. In these though there is a at least a small commonality; either a shared heritage or at least a common love of a particular sport.

Why do we need to have “our” team though?

The Brisbane Lions win their first premiership in 2001

A couple of years back I wrote a short, sharp post “The rising sun as an analogy for nationalism” to highlight its absurdity:

The notion of a rising sun is a misnomer. The sun itself does not rise or set. If I am on the east coast of Australia and see the sun rising over the Pacific Ocean, it is the same sun a person in the United States would see at midday. The difference between my “rising sun” and that observed by my American cousins depends solely on the location on the surface of the planet on which we stand. To an observer out in space, looking at our pale blue planet, the concept of a rising sun is absurd; it is rooted in our past when we believed we were the centre of the universe.

Nationalism is like this; it only exists when we allow our perception to be limited by our location. If we let go of this outdated notion, our minds can break free from their terrestrial bonds, allowing us to focus on solving the real issues of our time.

It turns out that both nationalism and xenophobia are key themes of the novel I’m writing so I’m trying to come to terms with the subtle differences.

I’d love to hear what you think about them?

“X” is for xenophobia

May 1, 2012 by A Fettered Mind

Why do we write?

When I was at university some fellow writers and I compared the importance of brain surgeons over writers. Although I do not deny the brilliance of brain surgery, I was quite disappointed in the majority opinion to elevate these mere mortals to a higher plane than writers. I don’t deny they may save a few lives but so do our bus drivers—wether they are aerial or terrestrial in transit.

Writers however (and some other artists) can do more than save a few lives.

we are the legislators of tomorrow (source unknown)
we provide feedback and test-run changes in society
and we can inspire generations into action and illicit positive change in society.

If a piece of writing does not add to our collective consciousness, or alter our behaviour—even in some minor way—it is pointless. But this need not get too high and mighty:

Not everything we write is going to bring down a government, it could simply be a nostalgic drama that reminds us to value each moment of our life; prompting us to stop our writing, or turn the television off, and play hide-n-seek with our kids.

“W” is for Why we write

April 30, 2012 by A Fettered Mind

releasing your and your character’s VOICE

In the writing world there are two types of VOICE:

Your authorial style, that is unique if
The style of speech and thought pattern or processes of a character

Authorial VOICE

We all have our favorite writers and it is this that we often recognise from the first sentence of a work. It is more than a style of Point of View (POV) and many author’s work can be recognised from blind readings; Kazuo Ishiguro is a writer I’ve found to have a unique authorial voice.

At University and in writer’s groups I found it useful to imitate the voice of an author I admired. This exercise is like the Form/No-Form training in martial arts but eventually you must relax the form you are imitating until your own appears and it becomes something only you could have written.

It can be as enlightening to turn this exercise on its head and attempt to imitate a writer you dislike, let yourself go and become that writer; you’ll recognise some habits from your writing that you need to drop.

Character Voice

Characters, too, should have a unique voice. I’ve found that I must inhabit the character’s mind to achieve this though. I try to have a minimum of one hour put aside to write in isolation so that I have the time to reacquaint myself with the character and then inhabit them comfortably.

For antagonist or evil characters it is challenging to enter their minds but also to exit their minds unscathed.

I find songs a great source for words to use in character dialog; songs are like haiku (the better ones at least) where every word, every syllable, should be there only on merit. Most of us are lazy in our speech and we often use the incorrect word because it just pops out. If not overdone this can provide a character with a unique voice.

The same two elements of writing apply for a blog; the words should drop out of your head or heart and on to the page, only editing typographical errors.