A message to me to yourself…

One of my lecturers at University was actually a popular writer in the Romance genre, under another name. He was a grammar nazi of the eleventh order but such a good orator that I could have listened to him talk about paint drying without drifting off…too much.

His pet peeve, which I have been unable to let go of myself is:

the misuse of the reflexive pronouns such as “myself” and “yourself”

How often have you said or heard:

“I will send this to yourself.”

…WTF. It’s like the speaker is trying to over formalise their language just ostracise the potentially uneducated.

Just say “I will send this to you.”

What was one of the major points behind Orwell’s famous essay “Politics and the English Language,” in 1946 :

“It [the English language] becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier for us to have foolish thoughts.” – George Orwell

My lecturer strode halfway up the stairs in the theater between where we sat in our uncomfortable plastic chairs, turned around and said,

“If you remember one thing from this course it has to be that self pronouns like yourself, myself, herself, himself…urgh,” he grimaced, “should not be used when they…do…not…refer…to the subject of the sentence.

Thanks Glen, mate…and no I haven’t forgotten! But I have held my tongue sometimes when I probably should not have!

Y is for Yourself


releasing your and your character’s VOICE

Photo Credit: Ian Kahn

In the writing world there are two types of VOICE:

  1. Your authorial style, that is unique if
  2. The style of speech and thought pattern or processes of a character

Authorial VOICE

We all have our favorite writers and it is this that we often  recognise from the first sentence of a work. It is more than a style of Point of View (POV) and many author’s work can be recognised from blind readings; Kazuo Ishiguro is a writer I’ve found to have a unique authorial voice.

At University and in writer’s groups I found it useful to imitate the voice of an author I admired. This exercise is like the Form/No-Form training in martial arts but eventually you must relax the form you are imitating until your own appears and it becomes something only you could have written.

It can be as enlightening to turn this exercise on its head and attempt to imitate a writer you dislike, let yourself go and become that writer; you’ll recognise some habits from your writing that you need to drop.

Character Voice

Characters, too, should have a unique voice. I’ve found that I must inhabit the character’s mind to achieve this though. I try to have a minimum of one hour put aside to write in isolation so that I have the time to reacquaint myself with the character and then inhabit them comfortably.

For antagonist or evil characters it is challenging to enter their minds but also to exit their minds unscathed.

I find songs a great source for words to use in character dialog; songs are like haiku (the better ones at least) where every word, every syllable, should be there only on merit. Most of us are lazy in our speech and we often use the incorrect word because it just pops out. If not overdone this can provide a character with a unique voice.

The same two elements of writing apply for a blog; the words should drop out of your head or heart and on to the page, only editing typographical errors.

“V” is for Voice