Writing

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Seppuku – a must have for writers of Japanese characters


General Akashi Gidayu preparing to carry out Seppuku after losing a battle for his master in 1582

The concept of Seppuku is so ingrained in the culture and psyche of the Japanese people that, as a western writer, you cannot expect to be able to write believable Japanese characters while it remains abhorrent to you.

I remember when this occurred for me; it was a combination of “a moment of satori” with the realisation of a satirical attack—beginning with an “aha” and ending with me choking on the thought as the illusionary barriers that my subconscious had used to hide, and possibly protect my mind, from the truth. It was while reading a novel set in feudal Japan – loosely based around the Forty-Seven Ronin.

With many concepts that I have encountered in philosophical and martial arts studies it cannot be taught or learnt in isolation it can only be transmitted at the intersection of two minds, with the greater challenge for the recipient; it almost becomes them discovering the concept anew.

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Imagining life outside of time

Dr Carl Sagan

Whenever the topic of multidimensional existence comes up, which is for me surprisingly often, I always remember how Dr Carl Sagan described it in his Cosmos television series. He described in terms of a two-dimensional creature imagining a three-dimensional universe. From what I recall he referred to this as “Flatland” – as you would.

This is a useful analogy and has helped me to visualise many spatial problems I’ve encountered in my professional life.

I’m currently writing a novel length piece of fiction in the alternative history genre. And being a little pedantic about such things I felt the need to theorise about how the entity, who was the catalyst for this version of the universe, lived.  And, to this end, I’m using a similar analogy.

We three-dimensional creatures may be able to move through our universe at will but there are physical limitations. It is not like we can move/jump to any point on our planet in an instant, let alone move about the universe. For me living in Australia to jump to the UK takes time and effort in both physical and monetary terms. Similar limitations should apply to an entity living in three-dimensional + time (3D+t) universe i.e. it can only move so far on a whim. Greater movement would require a corresponding increase in effort and patience.

And also, the faster I choose to travel about this three-dimensional universe there is a corresponding increase in risk to my three-dimensional body. So I expect that a similar increase in risk would apply to a creature jumping about in a 3D+t universe.

Taking this analogy a step further, each time I travel to London I don’t run into myself;  it is a different London – irrespective of how precisely I attempt to position myself in the exact spatial location. Many people have speculated that with each decision we make a new parallel universe springs into existence. I don’t think reality will be… is anything like this. There is not a new London, it is just a different one. So the 3D+t entity can visit a new time/place that it has visited previously but it doesn’t “run into” itself.

A few conundrums to end this post for now:

If a 3D+t entity lives outside time, then can it ever have a first time?

Every moment that ever was is now. Or, when each intersection of a moment in a place occurs, it is gone forever and exists only in our memory e.g. the 3D+t entity could remember being at this time/place but that is as close as it gets to “running into” itself.

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How long is now?

 

Once again I’m drawn to the question of “How long is now?”

Now is a moment, each of them stacked in my memory; their weight affects me either as an anchor – holding me stable, or others with a kinetic energy that keeps me moving towards a goal or destiny.

Each moment of intersection between time and place that passes is gone forever and only exists because we have our memory.

Without memory there is only now.

What about some lesser animals that live predominately by instinct. They would have less put away – just enough to help them survive until the next breeding cycle, or long enough to nurture their offspring to maturity or independence – never looking further forward than their next meal; their next breath; their next heartbeat; their next thought.

Watching simple creatures like this would be f-ing boring so imagine its excitement when it discovers creatures who plan, and learn, and care about their role in the place they inhabit? It would try to help them, let them know it is here, that it exists.

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Who can be my hero?

Yesterday a television commentator, Mia Freedman from the Today Show, decided that it would be a good idea to tell us who we could hold up as heroes.  She has copped a lot of abuse for her short sited and ill informed rant and some of it went well beyond what is acceptable, which I do not condone.

There have been many educated responses too; such as that made by Dr Bridie O’Donnell in an open letter to Mia.

The incident was precipitated by the Australian Cyclist Cadel Evans’ win at the 2011 Tour de France and the outpouring of emotion from his long time supporters and those who tuned in to the coverage in the last week or so.

Cadel Evans is swamped by his BMC teammates after they cross the finish line.

Although I agree that we are occasionally too quick to class some sports people as heroes but having seen the adversity through which Cadel’s victory has emerged from, and knowing firsthand how tough the sport of road cycling is, I certainly classify Cadel as a hero of mine.

Mia’s argument is the same used to play down artistic or creative endeavours as being less than those of scientists and doctors. It is through witnessing the courage of people like Cadel that the world’s “would-be-scientists” keep slogging away at their study and research in the dark hours of the night.

We don’t live for scientific or medical breakthroughs, we strive for them so that humans can live and grow. What is more important – the doctor who saves a few lives or the writer/singer/sportsperson who inspires millions to keep on going even when the circumstances become difficult and the future looks bleak.

Chapeau Cadel!

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Never Let Me Go – Discovering your character’s secrets

I read a review with Kazuo Ishiguro from the The Observer (February 2005).  His novel Never Let Me Go has come to the fore again now that it has been made into a movie starring Carry Mulligan, Andrew Garfield and Keira Nightley. 

I was thrilled to read how well he articulated an experience that I’ve also had with my own writing. Below is an excerpt of the interview by Tim Adams of The Observer.

 

His character “Kathy [H] herself first surfaced in Ishiguro’s notes almost 15 years ago when he had a sense of a book about a group of young people with a seventies atmosphere. ‘They hung around and argued about books,’ he says. ‘I knew there was this strange fate hanging over them, but I couldn’t work out exactly what it was.’ …It was only recently, when he was listening on the radio to various programs about biotechnology, that the particular fate of his sketchy students became clear to him.

I’ve found this happens in my writing too. I wrote a scene over a year ago in which the POV character, Elsie, felt someone watching her and she recognised something about the person’s gait and was sure she would figure out who it was. It wasn’t until last night when I was finally writing the difficult penultimate scene from the chapter that she (we) realised who it was. I’ve tried several time to guess and even removed the comment in one draft because I was so frustrated at not knowing who it was. Sometimes our characters don’t reveal their secrets when we want them to, maybe only when they have to.

I’ve only just finished re-reading  Never Let Me Go and I found it even better the second time around. It is a fascinating book but it could be construed as dangerous; it could lead an unsuspecting mind to places where they either don’t want to go, or cannot escape from.

The movie posters describe it as the “Best Novel of the Decade” and I cannot disagree.

The feature film of the same name, written for the big screen by Alex Garland and directed by Mark Romanek, has been released in the UK and USA and scheduled for release in Australia in March 2011.