The Mars Series by Kim Stanley Robinson

Although Kim Stanley Robinson’s award-winning Mars Series , written in 1992, has been criticised for some failings for forsight, such as the exclusion of China from the multinational venture, and the larger than expected role of the Russian team following the real world collapse of the USSR. However, twenty years on the story does not feel dated as many other science fiction titles do.

The three original three volumes, Red, Blue, and Green Mars received acclaim (Nebula, Hugo, and BSFA awards) from both within and without the science fiction genre, and like the Apollo missions of NASA in the 1960’s this story of the colonisation and terraforming of Mars has inspired a new generation of scientists and philosophers to look towards our neighboring red planet with longing eyes and big dreams.

The Mars Series tells the story of the first one hundred humans to permanently settle on Mars.

It is the red planet itself though that drives the story forward, as both a character and the sense of “place” it provides.

Kim Stanley Robinson: science fiction's realist - The Guardian UK

Red Mars, the first book in the series, begins with a speach given by John Boone, the default leader of the multinational venture and “the first man on Mars”, at the opening of the first “tented” city of Nicosia. But then moves back to the selection of the first one hundred team on earth and then the departure of the Ares of the from earth orbit where it had been constructed.

The series contains all the admirable tropes of the science fiction genre but it is no “Space Opera” and it has received some negative criticism from with the genre because of this. It was with this series that new sub-genre of science fiction was coined; Future History. It reads like a novelisation of well known historic events rather than pure invention and this only enhances it realism.

In addition to the red planet itself as the driving force of the story, it is the extraordinarily detailed characters that stay with you. The structure of the books, particularly the narrative mode of third person subjective, lends itself to this end with the POV set with the one character for each chapter. Robinson’s writing is of such high quality that the reader cannot help but sympathies with these POV characters even when they could be considered antagonists.

I always feel a sense of loss when one chapter ends and I am summarily evicted from inside the head of the POV character who led the chapter. But this loss is more than balanced by the welcoming feeling when returning to a POV character that I’ve come to know intimately.

In 2012, the twentieth anniversary of the release of Red Mars, the series reads as fresh and thought provoking as it did when first published.

Kim Stanley Robinson’s latest work 2312 is due for release in late May 2012. Orbit publisher Tim Holman described the setting of this novel thusly:

2312 will be set in our solar system three hundred years from now; a solar system in which mankind has left Earth and found new habitats. This will be a novel for anyone curious to see what our future looks like – a grand science-fictional adventure in every sense.

It is number one on my list of recommended reads for both readers of SCI FI and fiction in general.

“M” is for the Mars Series

Learning…the teacher must learn the most

Today’s post is a cacophony of snip-its and quotes about learning and teaching.

From “The Years of Rice and Salt” by Kim Stanley Robinson

It is always the teacher who must learn the most, Bistami thought, or else nothing real has happened in the exchange.  Pg. 130

The word of God came down to man as rain to soil, and the result was mud, not clear water. (Bistami) Pg. 128

US edition coverFrom “Musashi” by Eiji Yoshikawa

At times like this, the world, which he once thought so full of stupid people, seemed frighteningly large. Pg. 472

After this experience, he realised how premature his judgement had been and how importent and useful randomly acquired bits of knowledge could subsequently be.Pg. 362

– I must have subconsciously picked this lesson up from a previous reading, or another source, as it is one of the items of advice I included in a conference presentation in 2002: “Listen to everything, try and understand everything, see everything. Time is only wasted if you do not listen. One day this knowledge will be useful in ways you do not expect.”

From “The Lone Samurai – the life of Myamoto Musashi” by William Scott Wilson

…the principles of swordsmanship must be understood as though the student himself had discovered them. This was a major departure from other sword styles of Musashi’s time.

From “The Martians” by Kim Stanley Robinson

Imbition is the tendency of granular rock to imbibe a fluid under the force of capillary attraction, in the absence of any pressure. Sax became convinced that this was a quality of mind as well. He would say of someone, “She has great imbition.” and people would say “Ambition?” and he would reply, “No imbition.” And because of his stroke people would assume he was just having speech trouble again. Pg. 337

From Quotes:

If you’re more relaxed I think your brain functions more effectively. Tibetans, generally speaking, are quite jovial. In my family we were always laughing. – Dalai Lama

Minds are like parachutes; they work best when open. – Lord Thomas Dewar

You must sit in a chair for a very long time, with your mouth open, before roast duck flies in. Chinese Proverb

If you are standing on the shoulders of giants, modesty is not only pointless, it is disrespectful.

Don’t limit a child to your own learning for they were born in another time. – Rabbinical saying

Teching in a martial art is a great place to learn the art of teaching (and learning), “there is nowhere to hide on the mat”, but the princples can be applied to any situation be it a business meeting, talking with your children, or writing a story/magizine article.

I have found that when most people teach or talk it is a one directional act. People immediately put up walls in their minds, even if they know the information is something they need to understand; it is primeval. You have to set up the environment so that they decide to draw the information in, then as a teacher you don’t force it on to them or spoon feed them, you just put the knowledge out there to be imbibed by their now open minds.

“L” is for Learning

How I kicked asthma by simply breathing

Ki is universal energy, pronounced Qi in Chinese.

Our body can survive without eating for weeks, without drinking water for days, but if we cannot breathe our body will die in a few minutes.

I suffered with asthma throughout my childhood and couldn’t exercise at anything closed to high intensity without wheezing and reaching for my inhaler. I didn’t go anywhere without it. Every year it was getting worse too, and in my early thirties I found each winter a simple chest infection would become debilitating and I was prescribed steroids to get through it.

Koichi Tohei and Morihei Ueshiba "O'Sensei"

I had been training in Aikido though and for my shodan (first dan) grading I was required to write an academic essay on Aikido. I researched the lives of the founder of Aikido; Morihei Ueshiba “O’Sensei”, and the head of our style of Aikido Koichi Tohei.

I was startled to read that Tohei Sensei too had struggled with poor health during Aikido training with O’Sensei. Tohei had also studied Zen, Yogo and meditation and had learned a primitive form of whole body breathing where each breath, in and out would extend for up to one minute.

When war service interpreted his Aikido training he vowed to practice three hundred breaths each day for one year.

If he missed a day he would do double the next day to make them up

I did not set my own goals that high, not even halfway. I decided to practice thirty breaths a day.

My Sensei (Stoopman) had taught us about Ki Breathing, explaining that our lungs were like a stagnant lake; full of foul water that could not sustain life. But that if a little of the foulest water was replaced with fresh water each day then over time the lake would be returned to health.

Thirty breaths a day, how hard could that be? I thought.

It was hard. Whatever you’re thinking, it was harder than that. Ki breathing is not just sitting in seiza and drifting off, there was true physical pain. The first breath is slow but as they became longer my lungs screamed as I pushed my diaphragm to expel every milliliter  of air from my lungs, when every instinct in my being called for me to suck air in. And when filling my lungs, stretching them beyond their capacity, all I wanted to do was breath out again.

Progress wasn’t slow, it was non existent.

I kelp a register though and once missed ten days straight, that meant double effort for another ten days just too break even. I only let it slip that far once.  After several months it became my nightly or early morning habit but I still hadn’t noticed any progress.

That’s the thing about breathing, you don’t notice when you’re doing it right.

Over a year and a half later I returned from a business trip and found my inhaler on the ground under my bed. I had forgotten to even take it, let alone think to use it.

This was an empowering feeling, one you may only understand if you had also been reliant on a similar device for relief of symptoms or pain. I told everyone, including my skeptical doctor. She tested my lung capacity and it had increased, not to a healthy level but it was a improvement.  But my success distracted me and I let a few days slip past and then a few weeks and then at work one day I was ruffling through my desk draw looking for that damned inhaler.

What I’d been told many times but failed to understand was that it was a healthy process I should strive for, not a cure.

I’d stalled the cleansing process at the first sign of life and it had not taken long for the rot to set back in.

So I made Ki Breathing a part of my life, not looking to cure my asthma but to dilute its symptoms one breath, one day, at a time. Now many years later I haven’t had any asthma medication for more than ten years and have almost forgotten what it feels like to be short of breath or wheeze, even doing lactate threshold training (vomit training) on my bike at nearby Mt Coot-tha.

Now my lungs are like a healthy lake, full of fresh clean water, and even if I get a chest cold it is like a drop of foul water in the ocean (…lake) and is soon dissipated without a trace.

Enough testimonial, how do you do it!

  1. Position yourself in the correct seiza posture; or on a chair with mind and body unified leaning slightly forward over your centre; knees about two fists apart. Place both hands lightly on the thighs with fingers naturally pointing downward. Straighten the sacrum and relax the whole body while bringing the mind down to the one point or hara. This is the neutral position. Concentrate and imagine your mind at your centre. Allow your muscles to naturally relax but not collapse.
  2. When you have inhaled all that you comfortably can, you are ready to begin… Close your eyes gently, mouth slightly open and start to exhale calmly, as if saying ‘ah’ without using your voice. Maintain the same sitting posture while exhaling. Imagine breathing out completely emptying your body, right down to the toes. When the breathe has naturally expired, incline the head and body slightly forward visualising your breathe still travelling out. Exhalation should be about 15-20 seconds at first, tilting the body, visualising your continued breath for about 5-8 seconds. The exhalation process should be from the chest first, then the abdomen, the inhalation process is the reverse, breathe into the abdomen first then into the chest.
  3. Inhaling – keeping the same posture as the finished exhalation position, close mouth and being to inhale calmly through the nose with a smooth, relaxed sound. Imagine filling your body with clean air gradually from the toes through the legs, abdomen, and chest for about 15 seconds. When the chest is naturally full (without raising your shoulders) return the upper body to the original position for a duration of about 5 seconds, the whole time visualising your breath still entering your body. Your head should return back to the neutral position calmly. Note: Do not over-stretch the chest or lean back too far when returning to the original position.

Start with shorter breaths and lengthen them a little with each breath. When they are longer don’t be alarmed to hear the crackle of flem as you expel the last bit of air from the deepest reaches of your lungs, savor this as it is clearing parts of your lungs that have not felt fresh air possibly since your birth.

"Mind and Body Are One", calligraphy by Koichi Tohei Sensei

Tohei Sensie passed away last May at the age of 91. Here is a link to the official website for his Ki Society Aikido.

Note: The Ki calligraphy at the top of this post was painted by Shodo master Kojima Sensei at a demonstration he gave at an Aikido Seminar in Brisbane Australia in 2005.

“K” is for Ki Breathing

Does Rabinovich live here?

I found this little beauty while researching satire:

A KGB Officer goes twice to a man’s door asking if Rabinovich  lives there. Each time the man tells him NO;

A postcard of the Russian Revolutions of 1917

The third time, the KGB Officer arrives with a photo, which he holds up, saying, “This is Rabinovich  and it is a picture of you; why did you tell me you didn’t live here?”

To which Rabinovich replies, “This, you call living?”

“J” is for Joke

…a long bow I know but I wanted something lighter today.

I found it in a footnote from “Humor, hostility and the psycho-dynamics of satire” by Susan Isabel Stein. Literature and Psychology 2000. Vol.46, Issue 4, while researching for the post Satire it just isn’t funny

The Bureau of the Five-Grain Transmigration – from A Journey to the West

A Journey to the West is one of the four great Clasics of Chinese literature and was written in the sixteenth centuury by Wu Cheng’en. In the west it is better known by as “Monkey” because of the 1960’s cult television series of that name.

A scene of Journey to the West

A scene of Journey to the West (Photo credit: Wikipedia)

It tells the story of the pilrimage of the buddist monk Xuangzang. In this excerpt the character Pilgrim (aka the Handsome Monkey King) is called by the derogatoryly term pi-ma-wen, by “Idiot” (aka. Piggy).

“Just now when we entered the hall,” Pilgrim said, “I chanced to notice a little door on our right. Judging from the foul stench coming through it, I think it must be a Bureau of Five-Grain Transmigration. Send them in there.”

Idiot, in truth, was rather good at crude labour! He leaped down, threw the three statues over his shoulder, and carried them out of the hall. When he kicked open the door, he found a huge privy inside. Chuckling to himself he said, “This pi-ma-wen truly has a way with words! He even bestows on a privy a sacred title! The Bureau of Five-Grain Transmigration. What a name!” Yu, A.C. 1977, The Journey to the West Volume II Pg. 315. (Translation of)

An illustration of Zhū Bājiè

It seems as though even the classics can’t let a good peice of toilety humour pass them by.

“F” is for the bureau of Five-Grain Transmigration