Blogging from A to Z…it’s coming…April 2012

What to expect in April:

Profiles of people who inspire me or I admire

Reviews of books, films, music,…blogs (leave a comment if you would like to feature!)

…and opinion pieces based on a eclectic selection of topics that I find engrossing or alarming

See you on Sunday the first of April

A Fettered Mind

Voice in song lyrics

Augie March’s song Farmer’s Son came up on shuffle on my iPhone today and was reminded how cleverly they infuse their lyrics with voice. Even some of the words they use, there are so few used in a song they all have to be good, e.g. Shirk. It is one of the singles taken from their  Watch me disappear album.

I’ve always enjoyed music from artists who tell stories in their songs; Billy Bragg, Paul Dempsey, Paul Kelly, Tim Friedman, Bjork, Kate Miller-Heidke, The Killers, Lisa Mitchell, Peter Gabriel… where do I stop!

AlbumCover - website

For more information on the band Augie March see

Augie March put their unique slant on using voice in song lyrics

I’ve never come across such a perfect use of “voice” in music lyrics as on Augie March’s latest album Watch me disappear. I find it especially inspiring for my own writing. I can’t get the voice from track seven, The Slant, out of my head. Musically the song has a light and airy sound but the story is deep and dark. It is sung from the point of view of an early Australian convict on the Island of Tasmania. In his last moments of life, “strung up” and ”A’resting in the rope” he reflects on his life and the purpose and future of ours and his new country’s.

The song ends:

But did they pave the streets of Hobart town?

Lop the old wood forests down?

For the press of King and Crown.

For Honey…? Milk and honey…?

M y a r s e.

It works on so many levels for me and the ending voice still haunts me. It is so angry, disappointed, and resolved to its fate…yet still defiant—offering a final verbal moon at the world.
AlbumCover - website

For more information on the band Augie March see