What is the One Point, hara, or lower dantien?

The one point (also hara or lower dantien) is often explained as the centre of gravity and this is a good start, or “in the ball park” as a Japanese Sensei of mine once joked. But this is only the stepping off point.

For each of us the One Point is the centre of the universe.

The universe is of infinite size and therefore every point in it is also at its centre. Imagine the universe shrinking around you until it is compressed to a single point as inconceivably small as the universe is inconceivably large. This is the One Point, and we can learn to control and use it.

I have found that the One Point becomes the centre of my mind and can be moved about to stabilize myself mentally or physically.

In the West there is a saying “to keep yourself grounded” and this too is a good place to begin, as it too incorporates control of both your physical body and your mind. 

To keep one point is the first of the four basic principles of Aikido (Ki no fudo ho). If we achieve one of these principals, we also achieve the others but if we try to achieve more than one we will not achieve any.

It is as easy to recognise when someone has one point; they are relaxed, happy, centred, balanced, “grounded” and they move without breaking this form, they strike the ball sweetly, throw faster, run effortlessly and always have a light floating feeling. The opposite is also true when we lose one point; our form is bad we bounce around and look to be trying too hard.

If your find you have lost one point, shrink the universe by half and by half until it forms at your centre, and let your mind move there where it too is the centre of the universe.

“O” is for the One Point

No-Form, No thought, No Mind

When we study a new art form we are given forms of movement and told to repeat them endlessly. Our teachers are vigilant and correct our form when we stray but a hair’s breadth.

In Search of Simplicity

As we advance we are given ever more complicated forms to practice, yet we see our teachers break their own rules, seeming to do exactly what we are berated for.

I see shades of Form and No-Form argument in the following passage from Takuan Soho.

The mind that becomes fixed and stops in one place does not function freely. Similarly, the wheels of a cart go around because they are not held rigidly in place. If they were to stick tight, they would not go around. The mind is also something that does not function if it becomes attached to a single situation. – Takuan Soho

One must know the correct form intimately, from the subtle angle of a finger to the large movements of the torso, before we can perceive where to lesson our grip on that form.

You cannot throw the pieces of a cart in a pile and expect to use it as a cart. It must follow the form…but not too rigidly or it becomes a model of a cart—not the real thing itself.

It is the same when we practice any art form, we copy the masters endlessly, searching for those subtitles that belay their importance, hidden many times by large flourishing strokes of the brush or pen.

In the martial arts the form alone is not effective in actual combat.

When one has reached maturity in the art, one will have a formless form. It is like ice dissolving in water. When one has no form, one can be all forms; when one has no style, he can fit in with any style. – Bruce Lee

In a passage from his novel “Musashi“, Eiji Yoshikawa wrote:

Yoshino told Musashi he was rigid and would lose any battle in that state. She cut open her lute to show him how it could produce such varying sounds with only four strings.

It had a central wooden piece that was held in place but not firmly.

“If the cross piece were as taut and unbending as you are, one stroke of the pick would break a string, perhaps even the sounding  board itself.”


Takuan Soho’s writing is infused with wit and multiple levels of meaning. In the following passage he discusses the ‘Mind of No-Mind’ motif.

The mind that thinks about removing what is within it will by the very act be occupied. If one will not think about it, the mind will remove these thoughts by itself and of itself become No-Mind.

If one always approaches the mind in this way, at a later date it will suddenly come to this condition by itself. If one tries to achieve this suddenly, it will never get there.

An old poem says:

To think, “I will not think”—
This, too, is something in one’s thoughts.
Simply do not think
About not thinking at all.

You have got to love that!

“N” is for No-Form, No-Thought, No-Mind

What is Immovable Wisdom?

As with many terms used in Zen and the martial arts, Immovable wisdom is often misinterpreted to have a mind that does not move, when it is almost the exact opposite; it does not stop, or is not stopped. This state is sometimes described in Japanese as Fudoshin, Immovable Mind, and many physical tests for it have been developed for Aikido (and other disciplines) examinations.

Fudoshin - Wallpapers on the web

Early in their study students will misinterpret this “test” and will become hard like wood or stone…and fail. Instead they must learn not to allow their mind to be moved, or caught, by the examiner. The mind must become like still water; not “caught” by the hook as it passes through.

…the mind that does not stop at all is called Immovable Wisdom. – Takuan Soho

Takuan Soho, in a letter to the Samurai Yagyū Munenori, wrote of  “Immovable Wisdom” and how a person near enlightenment was capable of controlling a thousand arms, their mind not stopping at any particular one. He goes on to say that …one who understands this is no different from the Kannon with a thousand arms and a thousand eyes.

…the ordinary man simply believes that it is blessed because of its 1000 arms. The man of half-baked wisdom, wondering how anybody could have 1000 eyes, calls it a lie and gives in to slander. But if one understands a little better, they will have a respectful belief based on principle and will not need the simple faith of the ordinary man, or the slander of the other, and they will understand that Buddhism, with this one thing manifests its principle well.

he goes on…

All religions are like this… The ordinary man thinks only on the surface, the man who attacks… is even worse. This religion, that religion, there are various kinds but at their deepest points they are settled in the one conclusion.

“I” is for Immovable Wisdom

The Bureau of the Five-Grain Transmigration – from A Journey to the West

A Journey to the West is one of the four great Clasics of Chinese literature and was written in the sixteenth centuury by Wu Cheng’en. In the west it is better known by as “Monkey” because of the 1960’s cult television series of that name.

A scene of Journey to the West

A scene of Journey to the West (Photo credit: Wikipedia)

It tells the story of the pilrimage of the buddist monk Xuangzang. In this excerpt the character Pilgrim (aka the Handsome Monkey King) is called by the derogatoryly term pi-ma-wen, by “Idiot” (aka. Piggy).

“Just now when we entered the hall,” Pilgrim said, “I chanced to notice a little door on our right. Judging from the foul stench coming through it, I think it must be a Bureau of Five-Grain Transmigration. Send them in there.”

Idiot, in truth, was rather good at crude labour! He leaped down, threw the three statues over his shoulder, and carried them out of the hall. When he kicked open the door, he found a huge privy inside. Chuckling to himself he said, “This pi-ma-wen truly has a way with words! He even bestows on a privy a sacred title! The Bureau of Five-Grain Transmigration. What a name!” Yu, A.C. 1977, The Journey to the West Volume II Pg. 315. (Translation of)

An illustration of Zhū Bājiè

It seems as though even the classics can’t let a good peice of toilety humour pass them by.

“F” is for the bureau of Five-Grain Transmigration

Is Ego the mind killer?

There is no more destructive but imperative construct to our existence than Ego. With too little of it we are like a washed out water colour painting, too much and then self destruction is  inevitable.

Don’t mistake modesty for a lack of ego either, some of the most outwardly modest people suffer the same malady.

Sir Hubert Wilkins the great polar explorer, ornithologist, pilot, soldier, geographer and photographer is a great example of this.  General Sir John Monash , on returning to Australia after WWI eulogised Wilkins as “The bravest man alive” at a large public gathering. He later received a message from Wilkins “begging him not to praise him publicly again.”

And Vilhjalmur Stefanson, a fellow polar explorer met With General Monash later and told the Australian papers:

Sir John Monash seems to agree with me that Wilkins is so aggressively modest that he carries it to a fault. It ought to be enough to hide your light under a bushel without threatening to knock anybody down who wants to take the bushel away.

I think Wilkins hid a large ego under that same bushel, and it is more likely that it was the escape of this ego that he feared more. Wilkins came close on several occasions to destruction, and causing the death of the men and women who served with him but in the end it may have been his strong caring nature that helped keep his ego under that bushel.

A little luck didn’t go astray either.

Ego in the martial arts has ruined many teachers. It seems that a large ego is a prerequisite to lead a dojo, it is especially to attractive to new students who seek a sensei/master/guru figure.

I have seen several sensei self destruct, believing to much of their own publicity and get summarily purged from their style’s national or international organisation. The ego must be held in check.

The first step must be awareness.

“E” is for Ego